{"id":2578,"date":"2023-03-18T09:42:04","date_gmt":"2023-03-18T08:42:04","guid":{"rendered":"https:\/\/www.theatro-italia.com\/it\/?p=2578"},"modified":"2024-01-17T12:18:07","modified_gmt":"2024-01-17T11:18:07","slug":"the-value-of-history-and-archives-for-the-design-world","status":"publish","type":"post","link":"https:\/\/www.theatro-italia.com\/en\/the-value-of-history-and-archives-for-the-design-world\/","title":{"rendered":"Domus: The value of history and archives for the design world.","raw":"Domus: The value of history and archives for the design world."},"content":{"rendered":"<p>A Domus article talks in detail about the renovation project of Rinascente in Piazza Fiume, Rome. The description of the recent intervention by Studio 2050+ in conjunction with Theatro, is accompanied by an extract from Domus 389, published in April 1962, where Gio Ponti presents the work of Albini and Helg as a modern design project, not so far from the logic of industrial design, \u201ca unitary expression that defines architecture as a form of civilisation, on a cultural, social and technological level\u201d. It is in the interpenetration of these floors that Ponti interprets the expert skills of the two architects in this building, which 2050+ has revealed in an archaeological operation between the archive and the body of the architecture.<\/p>\n","protected":false,"raw":"A Domus article talks in detail about the renovation project of Rinascente in Piazza Fiume, Rome. The description of the recent intervention by Studio 2050+ in conjunction with Theatro, is accompanied by an extract from Domus 389, published in April 1962, where Gio Ponti presents the work of Albini and Helg as a modern design project, not so far from the logic of industrial design, \u201ca unitary expression that defines architecture as a form of civilisation, on a cultural, social and technological level\u201d. It is in the interpenetration of these floors that Ponti interprets the expert skills of the two architects in this building, which 2050+ has revealed in an archaeological operation between the archive and the body of the architecture."},"excerpt":{"rendered":"","protected":false,"raw":""},"author":2,"featured_media":2605,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"_it_post_content":"Un articolo di Domus racconta nel dettaglio il progetto di rinnovamento della Rinascente di piazza Fiume a Roma. Alla descrizione del recente intervento di Studio 2050+ in collaborazione con Theatro, si accompagna un estratto di Domus 389 dell\u2019aprile 1962 in cui Gio Ponti presenta l\u2019opera di Albini e Helg come progetto moderno non distante dalle logiche del disegno industriale, \u201cuna espressione unitaria che fa definire l\u2019architettura, su un piano culturale, sociale e tecnologico, come forma della civilt\u00e0\u201d. \u00c8 nella compenetrazione di questi piani che Ponti legge in questo edificio la maestria dei due architetti, e che 2050+ ha disvelato in un\u2019operazione archeologica, operata fra archivio e corpo dell\u2019architettura.","_it_post_name":"il-valore-della-storia-e-degli-archivi-per-il-mondo-del-progetto","_it_post_excerpt":"","_it_post_title":"Domus: Il valore della storia e degli archivi per il mondo del progetto.","_en_post_content":"A Domus article talks in detail about the renovation project of Rinascente in Piazza Fiume, Rome. The description of the recent intervention by Studio 2050+ in conjunction with Theatro, is accompanied by an extract from Domus 389, published in April 1962, where Gio Ponti presents the work of Albini and Helg as a modern design project, not so far from the logic of industrial design, \u201ca unitary expression that defines architecture as a form of civilisation, on a cultural, social and technological level\u201d. It is in the interpenetration of these floors that Ponti interprets the expert skills of the two architects in this building, which 2050+ has revealed in an archaeological operation between the archive and the body of the architecture.","_en_post_name":"the-value-of-history-and-archives-for-the-design-world","_en_post_excerpt":"","_en_post_title":"Domus: The value of history and archives for the design world.","edit_language":"en","footnotes":""},"categories":[50],"tags":[],"class_list":["post-2578","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-press"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.theatro-italia.com\/en\/wp-json\/wp\/v2\/posts\/2578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatro-italia.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatro-italia.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatro-italia.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatro-italia.com\/en\/wp-json\/wp\/v2\/comments?post=2578"}],"version-history":[{"count":3,"href":"https:\/\/www.theatro-italia.com\/en\/wp-json\/wp\/v2\/posts\/2578\/revisions"}],"predecessor-version":[{"id":2892,"href":"https:\/\/www.theatro-italia.com\/en\/wp-json\/wp\/v2\/posts\/2578\/revisions\/2892"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theatro-italia.com\/en\/wp-json\/wp\/v2\/media\/2605"}],"wp:attachment":[{"href":"https:\/\/www.theatro-italia.com\/en\/wp-json\/wp\/v2\/media?parent=2578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatro-italia.com\/en\/wp-json\/wp\/v2\/categories?post=2578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatro-italia.com\/en\/wp-json\/wp\/v2\/tags?post=2578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}